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This is month-old news. I've been slacking. Charlie's no longer attached to The Knife of Never Letting Go, an adaptation of the first book in Patrick Ness' YA scifi series Chaos Walking. Variety says Jamie Linden is now on board.
So now the only things on Charlie's plate are:
- A novel for Grand Central Publishing, about which we don't know anything else.
- How and Why, the sitcom FX passed on. Maybe someone else will pick it up?
- Frank or Francis, the film that had a cast lined up but couldn't get enough funding and is now floating in development hell. Maybe it'll happen one day.
- The "world leaders" project that Spike occasionally mentions. I don't know if it's been written--I doubt it--but Spike has said it may happen one day.
- Anomalisa, the animated adaptation of Charlie's "sound play." That one's definitely coming and it will be awesome.
- Probably one or two other things I have forgotten.Add a comment
[Update: The major part of the upgrade has now been completed, and I managed not to break anything as far as I can tell.]
I'll be upgrading some stuff on the site over the next day or two (or three, or six, depending on how smoothly it goes), so expect BCK to disappear briefly before returning to look pretty much exactly the same as it does now.
The Facebook and Twitter accounts will be used to post updates if I accidentally break something.Add a comment
Photographer Sandro Miller wanted to pay tribute to photography greats, so he called in John Malkovich to help recreate famous snaps, for a series called “Malkovich, Malkovich, Malkovich: Homage to photographic masters.”
Which is exactly what you probably think it's going to be.
Look at this.
There's more here, if you dare.
Thanks to Julie, Garrison and Cristian!Add a comment
Narayan Prasad used an iPad app called "Adobe Ideas", to create this fantastic portrait of Charlie.
Nice, eh?! Narayan posted this on our Facebook page.Add a comment
...and he's failing.
Over six years ago, the idea formed in his head, and when it existed in the laboratory that sits between his ears, the concept was so simple, so clean, so utterly perfect in the way a circle drawn by some theoretical supercomputer is perfect. A) There is New York. B) There are people in New York. So, C) There could exist a total, whole and complete document of Every Person in New York.
It’s almost as if Polan has come to terms with what lies at the core of one of art’s great intrinsic dilemmas: The whole thing is, by its very nature, a sisyphean task. That is, in the context of all our constructions surrounding stuff like truth and representation, art is always an attempt at something impossible. It always fails. It’s never perfect because in order to exist, it must exist in the imperfect place we call “here.” (Source)
You can view some of his work at http://everypersoninnewyork.blogspot.ca/
Thanks to Jean-Philippe!Add a comment
A progress update was posted on Anomalisa's Kickstarter page yesterday, bringing news that 85% of the animation work is complete, and post-production is in sight:
We’re really getting down to the production wire here and want to give you some updates.
You’ve all been amazing supporters and we hope that you will hang in there with us until we get to the finish line!
We have 85% of the animation on Anomalisa complete! Our plan is to be done with animation in November and complete post production over the holidays.
Our animators and production team are working 12-hour days, often through the weekends and holidays, to keep us on schedule.
The weeklies are beautiful. We know the finished product will make you all very proud. (Source)
Hooray!Add a comment
Via the Calgary Herald:
In 2008, low-budget filmmaker Lloyd Kaufman received a lifetime achievement award at the prestigious Sitges Film Festival in Spain, which specializes in horror and fantasy films.
As he went up to accept the award, a tribute reel played in the background that was supposed to highlight his contributions to cinema as head of Troma Entertainment, from The Toxic Avenger to Poultrygeist: Night of the Living Chicken. Unfortunately, there was a bit of a mix-up. The films featured were all from critics’ darling Charlie Kaufman, the oddball auteur behind Eternal Sunshine of the Spotless Mind and Being John Malkovich.
“That was a great moment,” says Kaufman. (Source)
It'd be even funnier if this happened the other way around.
And just to confuse things more, Lloyd has a brother named Charles, who's also a film-maker.Add a comment
Deadline reports that FX have passed on Charlie's comedy, How and Why. The pilot's being shopped to other outlets.
While FX brass are fans of Kaufman and liked the finished product, which came in at close to an hour, I hear they felt the show, with its very unusual mix of comedy and drama, would not mesh well with the rest of the lineup. (Source)
Just repeating: poo.Add a comment
Do you know how many people come here looking for analyses of Synecdoche, New York?
LOTS, is how many.
This one is for you folks. Jordan Siron points us to his "Exploring Charlie Kaufman’s “Synecdoche, New York”: A Philosophical Analysis." It's a meaty read.
Synecdoche, New York is a film that concerns itself with examining solipsism, and in disposing of the harmful concept of “The Other”. Solipsism is the belief that only one’s own mind is certain to exist; that one’s perception of reality and events is the only certainty, the only truth. As a philosophy, it is akin to Objectivism — the belief that the pursuit of one’s own self interest is the only moral obligation to which any human is bound.
Solipsism is a gross philosophy. It does not leave room for the understanding or concern of others. It is diametrically opposed to Altruism, which — while impractical to some extent — at least gives us something worthy to strive for. While one can argue against the practicality of Altruism, it’s hard to rationalize Objectivism and Solipsism as being inherently healthy life philosophies. While they may serve the individual, they do not foster the wellbeing of the human community writ large.
Now, all of that isn’t to say that individuals who prescribe to philosophies that place themselves at the center of their own universe are inherently bad. One can argue that such philosophies drive individuals towards great personal success, and through that success said individuals can turn around and provide aid of which they might not have otherwise been capable. There is a certain benefit to being concerned with one’s own self, but this dissection is not concerned with those few individuals who put their own universes in check before extending their helping hand. So it follows that Synecdoche, New York does not concern itself with such.
The film examines solipsism at its worst, demonstrating the dangers of such a philosophy through its chosen vehicle: Caden Cotard. (Source)
I've been meaning to link to this for aaaaages. I am a horrible website editor person.Add a comment